Variations around the Evidence

Hong-Gah Museum (11F., No. 166, Daye Rd., Beitou Dist., Taipei City 11268, Taiwan)

Curator: Yung-Hsien CHEN y Txema Agiriano

In our contemporary culture, the immediacy of information is more important than the veracity of that information itself. However, contradictorily, there are countless images that instantly monitor real-life contexts, showing, for example, evidence about health, security, weather, or traffic. The image of a medical scan or a video of a traffic accident are indisputable evidence, while the thousands of images of war and destruction seem to belong to the realm of ideological fiction, where everything can be questioned and even its evidence denied.
The audiovisual document is composed of several scenes, each corresponding to a different performative proposal, in which the moving body simultaneously describes fragility and empowerment.
This work proposes a departure from the film narrative itself, questioning its own construction at every moment, a calm reflection between immediate perception and the temporal sediment of reason.

證據有差異 Variations around the evidence
Josu REKALDE
證據有差異 Variations around the evidence
2025,單頻道錄像 Single channel video5’00”
在我們的當代文化中,資訊的即時性往往比其真實性來得更重要。然而,矛盾的是,有許多影像能夠即時監控真實情境,例如展示健康、安全、天氣或交通狀況的證據。醫療掃描影像或交通事故影片是無庸置疑的證據,但成千上萬張關於戰爭與破壞的影像,卻似乎屬於一種意識形態的虛構,一切都可以被質疑,甚至連其證據都能被否定。
本作品是一部由多個場景組成的視聽文件,每個場景都對應著不同的表演性提案,其中的移動身體同時描繪出脆弱與賦權的狀態。這件作品試圖跳脫傳統的電影敘事,在每一個當下都對其自身的建構進行質疑。它邀請觀者在即時的感知與理性的時間沉澱之間,進行一場平靜而深刻的反思。
台灣x西班牙 國際動態媒體藝術展
Diffusion Wave—Taiwan and Spain International Dynamic Media Art Exhibition
展期Dates2025.07.05 – 08.31
地點Venue:鳳甲美術館Hong-Gah Museum

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